“I think I have found my muse,” Cook said of this antique 12-inch Blampoix French fashion doll he calls Héléne. The princess line pique dress worn by the doll was adapted from a kit by Deborah Jenkines.
Cook is creating a trousseau for this Blampoix doll, including a winter ensemble of a wool sleeveless jacket with attached cape over a chemisette and wool tartan skirt, along with a muff.

By Karen B. Kurtz
Photos Courtesy of Maison Jeffrey

Snugged within a large home in a suburb outside of Columbus, Ohio, is a peaceful, sunny studio where Jeffrey Cook sews his heart out for clients. The doll couturier be­hind Maison Jeffrey is a fashion designer who makes and sells miniature clothing tailored to a client’s specific requirements. Couturiers must be creative, have an eye for detail, and work accurately at a high-quality standard. Jeffrey Cook is an ascending star in the field.

Cook’s passion for supple fabrics and beautiful trims began in childhood. At the tender age of 6, his mother passed knowledge she learned from her mother — a professional seamstress — down to him. “I loved searching through my grandmoth­er’s remnant bag and learned to use the sewing machine early on,” Cook said. “Later, I saved my allowance to buy a 16-inch china-head kit after see­ing an ad for Mark Farmer reproduction dolls in Yan­kee magazine. Mom and I put her together. I taught my­self how to sew by hand from Mary H. Morgan’s book How to Dress an Old-Fashioned Doll (Dover Publications, 1973).”

Immersed in Fashion

Cook worked as an intern at the Costume Institute of the Metropolitan Museum of Art in New York City during high school. It was familiar territory, because he and his parents often went there to see the costume exhibits created by the legend­ary Diana Vreeland (1903-1989). Vreeland’s reputation at Vogue and Harper’s Bazaar was a dominant force in the mid-20th-century fashion industry. According to a 1962 article in the New York Times, she “shaped the looks of thousands of women.”

And Cook absorbed everything. “It was the first time I saw 18th- and 19th-century costumes. I was fascinated by those his­torical garments — the cut, silhouette, people who made and wore them,” he said. “I had access to the entire collection — to see inside the gowns that French designers The House of Worth and Emile Pingat manufactured was mind blowing. I made small dress forms and costumed them in historic fashions from the 1860s to the 1880s. My favorite period was the early 1870s, which led to a love and appreciation of French fashion dolls.”

Jeffrey Cook.

Cook is a full-time account manager for a global design firm today. “Working from home is challenging and often stressful,” he said. “The majority of my days are spent on video conference calls, with breaks for lunch and the gym, if I can manage it.”

In his former 1,000-square-foot, one-bedroom Brooklyn apartment, Cook’s workspace was the dining-room table. “I had to constantly clear away projects before eating,” he said. “Fabrics and trims were stashed tightly in two small plastic bins in the bedroom closet.”

Jeffrey Cook’s doll room and workspace.

Finding the Perfect Workspace

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