Marina Shadrina sits with some of the beautiful dolls she’s finished.

By Marina Shadrina
Photos courtesy of Marina Shadrina

Greetings to all!

I’m delighted to welcome you to this wonderful magazine. My name is Marina (in the doll world, I’m known as Marina-AllforDoll), and it’s a great honor for me to share with you the story of my love for dolls.

Like many girls who grew up in the Soviet Union (I was born in the 1970s in Siberia, on the shores of Lake Baikal), I had a lot of dolls. They were gifted to me by my parents, relatives, and fam­ily friends. I remember how my father made a long, tall shelf for me that stretched along the entire wall of my room — my dolls sat and stood in a neat row on it. By the age of 14, I had around 30 different dolls in my collection. I took great care of them: I admired them, talked to them, and would dust them all monthly.

But as often happens, my interests shifted in my teenage years. My “doll era” ended, and I gradually moved away from dolls. Almost the entire collection was given to my nieces, the children of friends, and neighborhood kids — something I’m honestly happy about, as my dolls found new, kind little hands. I kept three of them — my most beloved ones.

Marina Shadrina as a child, 1978.
Making doll clothes became a postretirement hobby for Marina Shadrina’s mother, and it sparked Shadrina’s own interest in doll artistry.

In 2004, I moved to the United States, to the state of Colo­rado. Dolls remained in the past, until one accidental moment changed everything.

My mother, a professional seamstress, had spent her life sewing children’s clothing, especially outerwear. After retiring, she couldn’t just sit idle, but with age, working with large patterns became more difficult for her. I could sense her frustration and loss of inspiration. I wanted to find her a sewing-related activity that would be less physically demanding.

Then one day, I came across a stunning doll on the internet — elegant, a bit larger than Barbie, and dressed in a luxurious coat trimmed with faux fur. It was Gene Marshall (though I didn’t know her name at the time). I asked my mom, “Do you think you could sew for a doll like this?” Without hesitation, she replied, “Eas­ily!” So, I bought the doll for her and opened a small online store where she could sell her fashion doll clothes. My mother came back to life.

Helping her, I got completely drawn in: I read many books and magazines, browsed countless websites, and came to realize the doll world is an entire universe. I was hooked. My forgotten love returned. I was “sick with dolls” again — and this time, I’m sure, it will last forever.

I began dedicating my free time to doll museums, exhibitions, and events in Colo­rado. I became especially fascinated with por­celain dolls. At first, I was afraid to even touch them — they seemed too fragile, like one wrong move would shatter them into pieces.

If someone had told me then, “Marina, you’ll be making dolls like these. You’ll learn how to make slip and even paint their eyes yourself!” I would have said, “Oh, come on, are you joking?”

A tiny face is in progress on Marina Shadrina’s worktable.
Marina Shadrina’s painting brings out the cheerful personality of this doll, produced from a Dawn Adams mold.

But fate introduced me to a wonderful person — Delores Gray. At one exhibition, she was representing her school, Dolls Anonymous. I took her course and learned how to pour doll molds, work with greenware porce­lain parts, and paint porcelain dolls with china paint powder, just like I’m doing now and like they did in the ’80s and ’90s. She shared her secrets and knowledge with me, and I’m endlessly grateful to her.

As for painting faces, I’m self-taught. I think my years in art school helped (I studied for nearly six years as a child). My teachers used to say I had talent, but I believe talent alone isn’t enough — you have to work hard and constantly improve.

Creativity brings positive emotions. And emotions are what make this world real. The world of dolls is a special kind of reality, and if you give your­self to it with love, it will definitely respond in kind.

When I “met” Dianna Effner’s dolls, it was love at first sight — especially with her porcelain dolls. There’s some­thing unexplainably magical about them. I never got to meet Dianna in person, but I’m sure she was a bright and incred­ibly kind soul. She left a deep imprint on doll culture, and I’m so happy I can be part of her legacy.

Three dolls from Marina Shadrina’s childhood remain in her collection: (standing) a 1970s Sonni doll from Sonneberg, Germany; (seated on left) a 1960s Sonni baby doll also from Sonneberg; and (seated on right) a 1980s Dasha doll made by Krugozor, a toy factory in the Soviet Union.

In 2024, I acquired the Ultra Chic porcelain slip compa­ny. The slips (Ultra Chic and China Silk) were developed by Tony Tanner and are considered among the best in the world. They’re perfect for porcelain dolls — they pour easily, don’t need supports during firing, and create a flawlessly smooth surface for painting. Produced chemical-free, they’re simply the finest quality on the market. All of my dolls are made using this slip.

Both types of slip are sold in pints and gallons and can be purchased immediately through my online store. Colors are all premixed and range from soft and sweet to bright and dynamic.

Antique-style dolls finished by Marina Shadrina are dressed for spring.
AllforDoll has porcelain slip available in a variety of colors. It works particularly well for dollmaking.

Today, I offer additional products for those who dream of making a doll of their own. If you visit my website, you’ll find a section called Bisque Doll Kits. Porcelain doll kits are available here, with which you can create a beautiful piece. It’s your doll to customize as you wish. You can also find a lot of interesting information on my blog.

People often ask me: “Are you a collector?” The answer is no, I’m not a collector, but I do own a few valuable pieces. And I have one particular hobby: I love “rescuing” dolls — finding old, forgotten, broken ones and bringing them back to life.

Red hair and a polka-dot dress complement this doll’s eye color. The mold was created from a Dianna Effner sculpt.
This cutie, sculpted by Dianna Effner, wears a playful bee-inspired outfit.

Even though it may seem like it, maybe noth­ing truly happens by chance. The most important thing is to believe and never give up. I’ve had to overcome a lot, but I’m endlessly grateful to God and to my family for their support, honesty, and love. And the feeling is mutual.

I would also like to acknowledge the people who’ve supported and cheered for me along the way — the extra encouragement truly means a lot.

We, as a community, have a special gift — a love for dolls. Not everyone is given this. Cherish this gift, value it, and share it with others. I sin­cerely wish you happiness, inspiration, and the fulfillment of your dearest dreams.

With love,
Marina-AllforDoll-MAFD

AllforDoll

allfordoll.com