|Collectible Carell: Steve Carell is the go-to guy for embodying the highs & lows of collecting|
Well, I donât know the proper protocol, but when I set out to blog this morning, I learned that it is World Goth Day. Are you supposed to wish someone a âHappy Goth Day,â or is that counterintuitive? If a whole movement has sprung up around dark-colored garb, fascination with the dark side, and an interest in the dark arts, can the phrase âhappy dayâ be freely given? I certainly donât want to wish anyone a âSucky Goth Dayâ or a âMiserable Goth Day.â Maybe, it should be a âDark and Stormy Night âŚ World Goth Dayâ? It is a dilemma.
Knowing what to say, and when to say it, is a definite skill, and itâs one that I am still evolving and developing. Last night â and shouldnât it really be âWorld Goth Nightâ â I watched half a movie on TV. I would have liked to watch the whole thing, but my cable system suddenly went haywire and began to pixilate and freeze up. I could hear the dialogue continuing, but the images were frozen on the screen. After about 5 minutes of hoping that the trouble would resolve itself, I gave up and clicked off the film. The show was âDinner for Schmucks,â and as a collector I found it positively fascinating.
Itâs based on a French screenplay (âLe DĂŽner de Cons,â meaning the dinner game), and it revolves around a young man who has upwardly mobile ambitions. He wants to get ahead at a private-equity firm; and like all other film characters who lust for a room at the top, he is going to have to shed some humanity along the way. Now, what does this have to do with collecting and dolls?
In order to gain a seat in the boardroom, the hero of the piece (Paul Rudd) has to take part in a humiliating dinner party arranged by his callous boss. The boss â a slick, soulless empty suit â is a self-described âcollector.â However, he doesnât collect statues, or paintings, or memorabilia. He collects âlosers.â
In a bizarre frat-boy initiation, he forces his underlings to come to his house accompanied by the biggest losers they can find. His handpicked stooges have to discover âidiots, fools, schmucksâ who believe they have talent, and can thus be ridiculed and lambasted â without ever catching on. These poor unfortunates show up as guests at a dinner that is arranged to poke fun and puncture their dreams. Lovely premise, right?
Well, when Rudd happens upon his âidiotâ â or, more accurately, his find falls right into his lap, courtesy of a car accident â the audience is invited to snicker at this hopeless and hapless guy, embodied by the talented Steve Carell.
Except, as I watched this movie, I didnât laugh. I didnât snicker. I didnât roll my eyes at the Carell characterâs foolishness. Instead, I was damn impressed.
His bizarre behavior â the hobby that is supposed to ensure him the trophy as the greatest loser of all â is that he practices taxidermy. He finds deceased mice â doesnât kill any on his own â and then creates breathtaking scenarios that incorporate them into recognizable masterpieces, bucolic rustic scenes, and flights of imaginative fancy. The vignettes that he creates are meant to be creepy, or at least meant to make the audience think this guy is off his rocker. However, I was completely floored by how meticulous and painstakingly exact each of his offerings was. Exclude the taxidermy angle â but mind you, we are told that these are expired rodents that he is giving a second life to â and he is a miniaturist beyond compare.
In order to sell the character as an oddball and as a schlemiel, Carell sports a rust-colored haircut, large glasses, and a perennially pop-eyed stare. Since I didnât get to see the whole movie, I kept thinking that if he traded in the glasses for contact lenses, put on a well-tailored suit, and found a better barber, he would be a darling of the primitive art movement, or the poster boy for outsider expressionism.
I know this was a comedy. I know the characters are caricatures. I understand that everyone â from the evil, bottom-line capitalists to the egotistical, self-aggrandizing artists â were being played for laughs. Still, it sort of bothered me that a person who marches to his own drum had to be played as such a dolt, such a ridiculous-looking fashion disaster.
A few years back, Carell was in another movie â which I luckily got to see in its entirety â called âThe 40-year-old Virgin.â Its title makes it seem like it's a raunchy, older-brother companion to the âAmerican Pieâ franchise. It isnât.
In this valentine â yep, I said valentine â to nonconformity, we see a man who has done a lot in his life except for one kind-of-big thing; hence, heâs the 40-year-old virgin. Even though Carell is set up in this film to be out of step with everyone else, the audience comes to see his strengths.
Living in an extended adolescence, surrounded by loads of action figures, framed posters, video games, and bicycles, he could be written off as an âuber nerdâ at first glance. But through Carellâs acting and the script, which he co-wrote with director Judd Apatow, his character is revealed to be a person of multi dimensions. His hobbies â painting miniature historical figures and collecting â are shown to be more than just gags. The painting is damn difficult to do â involving magnifying mirrors and the tiniest paintbrush imaginable. And the action figure and doll collecting ends up netting him a small fortune when it is sold on eBay. (He wisely kept everything in its original packaging and boxes!)
In âThe 40-Year-Old Virgin,â we see a person who could be taken for granted at first sight. He could be mocked or mimicked or dismissed for remaining childlike and innocent, not just in the bedroom, but in his interaction with the world at large. He approaches each day with wide-eyed enthusiasm and expectations.
As collectors and as doll artists, we all know a thing or two about having to explain our passions, and having to define ourselves against easy, out-of-hand stereotyping.
So, on World Goth Day, a day that supposedly venerates and draws attention to people who seemingly donât want attention and celebration, I say, âFill in the blank World Goth Day.â Iâm not going to apply a âmerryâ or a âhappyâ or a âscaryâ or an âalternativeâ adjective to it. It is what it is, and who am I to judge? I donât ever want to host a âDinner for Schmucks.â Iâd rather be invited as one of the surprising and more-than-meets-the-eyes guests.
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The 2015 DOLLS Awards of Excellence Industryâs Choice winners (DAEs, also called the Diamond Awards) were announced at the International Doll & Teddy Bear Show in Asheville, N.C., June 6. The Industry's Choice winners will go on to become the nominee's in the Public's Choice voting, set to begin in late June.
Without further ado, here are the winners of this year's Industry's Choice Diamond Awards!
The Jones Publishing Lifetime Achievement Award is bestowed upon one recipient per year. This award was created in 2002 in conjunction with the 100th anniversary of the introduction of the teddy bear, with the first recipient being Steiff, a German-based plush toy company known for its high quality and prices.
The Lifetime Achievement recipient must be or have been involved in some aspect of the doll and/or teddy bear field for a minimum of 25 years. The recipient may be an individual, partnership, corporation, company, author, artist, marketer, historian or any other industry professional. Lifetime Achievement Award nominations may be made by previous recipients or members of the LAA committee.
To qualify as a nominee, entrants must meet the following criteria:
The Lifetime Achievement Award has been presented to the following individuals and companies since its inception:
2003 Hildegard Gunzel
2004 Alexander Doll Company
2005 R. John Wright
2006 Wendy Lawton
2007 Virginia Turner
2008 Toy Shoppe
2010 Helen Kish
2012 Maggie Iacono
2013 Heidi Plusczok
2014 Jack Johnston
2015 Kaye Wiggs
August 8, 2014 - Blackall Associates Inc. is proud to announce the winner of its Summer Heat Photo Contest. The contest drew entries from around the world. Masterpiece Doll collectors sent in a special photo showing how their Masterpiece Dolls were enjoying the summer heat.
You havenât seen a toy show until youâve seen this one. Six buildings! Over six hundred exhibitors! Exclusively toys and dolls and childrenâs playthings on display everywhere! This is the show everyone always says they intend to visit, and now is the time to do just that. Collectors say the Chicago Toy Show really is the largest in the entire world. They are correct. Collectors say they find toys at this show that are never seen anywhere else. Correct again.
19 April 2014 â 5 October 2014
A special exhibition will take place at the Toy Worlds Museum Basle to celebrate the 150th anniversary of Japanese-Swiss diplomacy and friendship.