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Written by Stephanie Finnegan
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The longest-running series in the history of Mattel’s Barbie brand, the Dolls of the World collection, saw some unexpected updates at the beginning of the year, but its heart remains in the same place. These are vinyl valentines to the girls of the world who love to play with and collect dolls along with showing national pride.
According to Katie Phillips, the global marketing manager for Barbie Collector, “The Dolls of the World collection represents countries, big and small, from around the globe. The countries chosen for the collection represent nations with iconic costuming and cultural dress. For the new collection, we’ve combined time-honored favorites with new and exciting girl-requested countries!”
The 10 countries that made the cut for 2012 are: Ireland, Australia, Argentina, and China, which were unveiled earlier this year; Mexico, India, Holland, and Chile this fall; then Brazil and the United States (focusing on Hawaii) later this year. Priced at $29.95 each, the packaging for these dolls doubles as a carrying case and a place to store the collector’s personal travel mementos.
The 11½-inch fashion dolls are designed for ages 6 and up and are meant to be played with, collected, and to teach geography and world customs. “These dolls will continue to inspire girls to explore the world through doll ambassadors who share the fashion, culture, and personalities of their native countries in a fun and playful way,” Phillips said. “Each doll comes with a passport and stamp stickers, allowing girls to travel the world through Barbie.”
In addition, this year Mattel has introduced, for the first time, “Dolls of the World” Web content on Barbie.com that allows fans to explore and engage with the countries covered by the spring line (http://www.barbie.com/dolls-of-the-world ). Travelers to the site will be able to click on a country shown on the map to learn interesting facts, play interactive games related to that country, and have a lot of instructional, inspirational, safe fun.
Also on hand for 2012 is an adorable litter of recognizable animals. Each of the dolls will be accompanied by a critter from her home country. “China” Barbie is paired with a panda; “Ireland” has a long-haired Irish setter; “Australia” is matched with a koala; and “Argentina” holds a puma. These duos reveal an undeniable universal similarity — no matter where they may hail from, beautiful dolls and cute, cuddly companions are sure to gain the stamp of approval from collectors the world over.

Inspired Itinerary
Mattel Designer Linda Kyaw has been involved with the Barbie brand for 10 years. She began in the face sculpt and design department, and for the past six years, she’s been a Barbie Collector designer. Kyaw recently took the time to chat with DOLLS about the creation process for the Dolls of the World line.
DOLLS: What are your responsibilities towards the Dolls of the World line?
Linda Kyaw: As designers, we create the initial concept and work with a talented team to execute the concept. I have the pleasure of art directing everything from the fashion to the accessories to the eye color. With a beloved line like Dolls of the World, it was important as a designer to speak to both young girls and adult collectors. Our main goal is to continue upholding the quality and details that our collectors love while making the line fresh and approachable for girls.
DOLLS: How much research is required for designing each dolls’ costumes and accessories?
Kyaw: Research is a critical process for any design. I use a lot of different methods to gain information and inspiration. The Dolls of the World line captures the essence of a country by partial authenticity, coupled with imagination. Additionally, each country’s consulate had the opportunity to view and make comments on the design to ensure a positive representation of the country.
DOLLS: Are the costumes and the look of the dolls based on an ethnic/folkloric appearance?
Kyaw: Many countries represented in the collection have a rich history that includes wonderful ethnic and folkloric elements. We try to weave in as much of that as we can without making the costume feel dated. The new Dolls of the World line features a fresh look with traditional elements intertwined. Balance is the secret!
DOLLS: Where did you grow up? Did Barbie play a part in your childhood?
Kyaw: I grew up in California, and some of my most cherished childhood memories are with Barbie. Being a designer today would not mean as much to me if I did not have a personal experience with Barbie when I was younger. Barbie is and forever will be my muse.
DOLLS: Do you have any personal experience with international travel or adventure?
Kyaw: When I was younger, I traveled back to my native country of Burma with my mother. It was special, but I didn’t really appreciate the experience until I looked back. It taught me so much about people, culture, food, weather, land, tradition, and family. It was a humbling adventure and I will always look forward to more travels in the future!
For more information, visit www.barbiecollector.com |
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Written by Stephanie Finnegan
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Thursday, 12 January 2012 17:45 |
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The hallmark of a true artist is vision and verity — Maggie Iacono has both in spades. Her notion of what defines a doll is lovely and unflagging; and her choices of colors, texture, construction, and subject matter emerge straight from her heart. They are real, honest depictions of what is in her mind and in her soul.
The recipient of the Jones Publishing Lifetime Achievement Award for 2012, presented at the IDEX Premiere 2012 Debut of Dolls and Doll of the Year (DOTY) Awards Banquet held Jan. 27 in Orlando, Fla., Iacono embodies what the award was created to celebrate: A veteran in the dollmaking world who has honed her craft for 25 years or longer and who has continued to elevate her art form during the decades.
According to Joe Jones, the founder of the prestigious honor, “The recipient must have maintained or increased the quality of their product during their time in business. There is never more than one winner per year. Anyone can nominate someone for the award, but past recipients are specifically solicited to nominate a candidate.”
In the case of Iacono, many of the past winners of the Jones Publishing Lifetime Achievement Award are both her friends and her fans. Helen Kish, the 2010 recipient, is an unabashed admirer of Iacono’s gentle and elegant creations. “Maggie has a gift. She is able to sculpt something precious out of cloth, imbue it with soul, and make it come to life. This is why I collect Maggie’s dolls and would, even if she wasn’t such a dear friend. My Maggie Made dolls fill me with joy every day. They are the only dolls Tamas and I have in our living space — not even my own dolls occupy that space!
“Maggie also has many blessings in her life; not the least of whom is her devoted husband, Tony, who always touches my heart with his introduction to all of their programs by declaring that he lives in beauty … and then he shows an image of Maggie and their three lovely daughters. Tony is the unsung hero in the story of Maggie, as Tamas is in mine. He is the man who makes it possible for Maggie to concentrate all of her creative energy on the art of her dolls rather than the technical (and sometimes nearly impossible) engineering feats that her art requires.”
When the woman of the hour learned that she was being singled out for this recognition, she said her immediate reaction was to take stock of what she had achieved and come to terms with how long she has been actively involved in her artistic pursuits. “I am very proud and honored. I don’t think of myself as having been making dolls all that long, but something like this puts it into perspective, and it has made me realize that I have come a long way.”
Iacono has been working her magic for 31 years, and after three decades, she still finds ways to challenge herself and to amaze her admirers. For 2012, she is following a new path: “I have sculpted a new body (both a new doll body and mine, actually, since I just ran the Philadelphia Half Marathon for the first time),” Iacono said. “I will be unveiling a different age, namely, a ’tween doll. This has given me a whole new fashion to play with. I’ve also brought more vibrant color into my work recently. This opens up a new world when not choosing just pastels.
“Additionally, I also have started creating a few felt animals, specifically birds. I created ‘Peter’ from ‘Peter and the Wolf,’ with his hunting conspirators — the small bird and the duck. Making a boy alone is a departure for me. Figuring out how to make these birds gave me a fun and creative break from dolls, to design something entirely different.”
Interestingly, this new step forward is also a nod to her company’s origins, which wasn’t exclusively doll-based at inception: It was originally Maggie Made Dolls and Bears. Eventually she moved away from teddy bears and became recognized as a leading proponent of classic, lyrical felt dolls.
“I entered the doll world from the sewing end of it,” she said. “I was taught at an early age to sew my own clothes, so it follows that I would choose, as my medium, cloth and later felt. When I had children of my own (three girls), I had a blast sewing outfits and toys for them, which included stuffed animals, dolls, and teddy bears. Then I had to make another doll and another doll, trying different patterns and techniques as I went along. At first, these were very simple cloth dolls.
“As my obsession grew, I wanted a more realistic face and body for the doll. The combination of the sculpted face and felt turned out to be a perfect fit for me. I began sculpting and inventing ways to mold felt. A great deal of experimentation went into the process of educating myself on how to create the perfect doll. I wanted a doll body that could be posed by having multiple joints. This went through many evolutions to come to the unique jointed doll I have today.
“The costuming of the dolls has always been the challenge and entertainment that I enjoy the most. I have gone from very simple uses of plain, unadulterated felt to much more sophisticated manipulations — painting, dying, embroidery, weaving, printing, airbrushing, and fusing with other types of fabric, to name just a few. I like to think of it as putting a work of art on a work of art.”
One of her close friends and confidants, Robert Tonner, owner at Tonner Doll Company, has always helped her to maintain and promote her confidence. “All I can say about Maggie winning the Lifetime Achievement Award is — it’s about time!” Tonner said. “I can think of few artists who stay so profoundly to their artistic vision, and at the same time, constantly reinvigorate and reinvent that same vision. Maggie (and you can’t just say Maggie — it has to be with Tony in there!) has a refined and gentle sensibility that shines through her work. Each and every time they introduce a new line, the beauty of their work takes my breath away. I’ve known Maggie for many years and it is always just as wonderful and fun to see her and Tony on the road, where our paths inevitably cross. All I can say is the only thing more beautiful than her dolls is the person that makes them.”
Tony Iacono, Maggie’s supportive spouse and partner, acknowledges his wife’s success, as well as the burning need she had to follow her dreams: “Since I have known Maggie, which is over 35 years, I knew she was happiest when creating something. When she chose dolls as a medium to express herself, I watched her take her talent for sewing, her eye for colors, her incredible taste for fashion, and her dedication to always strive for perfection and bring them all together in one of her dolls. Being right next to her over the years, I am lucky to see her creative process firsthand. I love that she is being recognized by her peers and chosen to receive the 2012 Lifetime Achievement Award. As a family, my three daughters and I are forever proud of her.”
Twenty-three years ago, the Iaconos decided together to transform Maggie’s part-time, thriving avocation into a full-time, full-blown business. In doing so, both of their lives were refocused and re-energized.
Tony Iacono left a successful career in retail and assumed all of the household duties to allow Maggie Iacono to unleash her artistic talent and visions. “Little by little, Tony has taken over various parts of the production and the business end of things,” Maggie Iacono said. “My children grew up amidst all of this and were lucky enough to have two parents at home all the time. My three girls have also done various parts of the production over the years as well.
“Emily has played with a video camera since she was 6 and went to school to learn videography. She is in charge of our video productions, which we like to show at our events, and Amy likes to write the scripts for them. They all are invaluable for their opinion on my work and have all developed a great eye for what does and doesn’t work on a piece. It’s very much a family business, and that is a great source of pride.”
Wendy Lawton, the 2006 Lifetime Achievement honoree, expressed respect and admiration for her fellow recipient: “Jones Publishing’s Lifetime Achievement Award has come to represent artists who brought a unique vision, a recognizable look, and a commitment to quality to our industry. Maggie has earned this award on all counts with her artistry, innovation, and quality. Her dolls will stand the test of time and will be treasured in fine collections for years to come.”
And 2007 recipient Virginia Turner seconded the sentiments: “I have always admired her dolls. The dolls and Maggie are truly a class act.”
Because the nominees are voted on by previous recipients, as well as the editors, publishers, and the award’s founder at Jones Publishing, the peer review holds an enormous weight of significance, keeping it true to Joe Jones’ vision: “This is the highest award in the doll or bear industry, and it will continue to be presented to worthy recipients for many years to come.”
Maggie Iacono’s body of work was deemed award-worthy by this select group, and DOLLS and Teddy Bear Review publisher Carie Ferg summed up the reasons why Iacono’s selection was a popular choice: “Her work exhibits superior craftsmanship and astounding creativity. She’s in a league of her own, and she has just kept getting better and better over the course of more than 30 years. So it’s appropriate she receives recognition for her long-standing excellence as a doll artist.”
The prospect of receiving awards was never important to Iacono. She has always created because it is in her nature. “As any artist will tell you, one has to constantly strive for perfection in one’s work. It’s more than just a want. It’s a need to obtain this perfection that propels the artist forward,” she said. “This need has driven me over the years to create in such ways that I feel I have briefly obtained this perfection — only to have it disappear moments or even days later when I see something wrong.
“It’s that vision that makes you a better and better artist over the years. So I guess that level of perceived perfection has increased year after year to where I am now. My collectors have observed this and commented many times on how they can’t believe I could possibly top what I did last year — yet with the latest doll I have done just that. This is always a goal — albeit for the most part, an unconscious one — to constantly outdo myself.”
And in the estimation of 2008 Lifetime Achievement Award winners Barrie and Danny Shapiro, proprietors of The Toy Shoppe, Maggie’s evolution as a doll artist has been rewarding to watch and inspirational to witness: “Maggie has touched the heart of collectors for over 31 years. Her original felt doll designs have come a long way. From Maggie’s larger early creations, with traditional jointing, to her innovative, posable dolls, with their unique ball jointing, each possesses a rare emotional quality combined with beautifully handcrafted detailing and fine needlework. She has worked hard over the years with her husband, Tony, and it is evident that they take great pride in creating their special felt dolls for doll collectors and toy enthusiasts alike. Her Lifetime Achievement Award is well-deserved!”
After 31 years in her studio — alone with her thoughts, her dreams, and her talent — Maggie Iacono said she would still rather be there than anywhere else in the world. “I have always found that doing what you love will make you feel successful and bring you happiness. I do love what I do and it can be hard work. After long hours in the studio — sculpting, tinkering, and sewing — I find myself totally engrossed in what I’m working on. It’s not hard to realize that I must love what I’m doing. Otherwise, why would I have worked so hard at it?” |
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Written by DOLLS Staff
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Tuesday, 06 September 2011 15:14 |
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De Poppenstee celebrates both crystal (15 year) and silver (25 year) anniversaries this year. Bets and Jos van Boxel started De Poppenstee in 1986, when they rebuilt a former farmhouse with their own hands into a gallery and studio. The name is a combination of "poppen," the Dutch word for dolls, and "stee," the type of farmhouse in their part of the Netherlands. Their daughter Amy reinforced the team 10 years later. Since then, they've worked together to create porcelain dolls of children, as well as handling all the other tasks associated with running a family business. "Working together offers many benefits," Amy van Boxel said. "Each member of the family has his or her own specialty, and few words are needed to understand one another."
Bets van Boxel began making dolls as a hobby and developed her own techniques. Calling her creations "character dolls," she wrote several books on the subject and taught courses on making dolls from self-hardening modeling compound, iron wire, tissue paper, and tape. "Making dolls was very popular in those days," said Amy van Boxel. "Hundreds of ladies and gentlemen followed her lead."
Once she got acquainted with porcelain, and inspired by what the van Boxels had seen in their travels, Bets van Boxel switched to making a line of limited-edition porcelain ethnic dolls called "Children of the World." She also wrote a book about this subject and made an instructional film. Over the years, van Boxel has immortalized some of the children from nearly every country in the world.
By 1996, there was increasing interest in the "Children of the World" dolls from abroad, and Amy van Boxel joined the business to help out. The dolls were exhibited in the United States, France, Monaco, Germany, and Belgium, and individual dolls ended up with collectors all over the world.
"At first I gained experience with the different styles that Bets teaches in her classes," Amy van Boxel said. Later she developed her own collection of child dolls, mostly made in different sizes from the "Children of the World" series, which are created in 1:2 scale and range from 40 to 90 centimeters tall (approximately 16 to 36 inches), depending on the age of the child. Amy van Boxel's dolls are 1:4 scale, with heights from 20 to 45 cm (approximately 8 to 18 inches).
Twice a year, Bets and Amy van Boxel present their new collections. They are still inspired by the trips that Jos and Bets van Boxel make every year. Next to all the pictures of landscapes and ancient buildings in Bets van Boxel's photo album, are pages filled with beautiful children's faces. At local markets they search for authentic fabrics, ornaments, and accessories. In this way, they build a collection that makes it possible to create dolls from all over the world. This year's anniversary collection consists of dolls inspired by children from Peru, Vietnam, Ladakh, and Benin.
The idea for a doll sometimes starts with a beautifully woven fabric, an expressive face, or just a pose. Bets and Amy van Boxel go through their collection to complete the picture in their head. Using their photos as for reference, they model the head, arms, legs, and body in Plasticine, a non-hardening clay. It is important to ensure that all the pieces are sized correctly, taking into account that the porcelain will shrink approximately 20 percent. The sculpted Plasticine parts are used to make a plaster mold.
To make the dolls, porcelain slip is poured into each mold, forming a thin layer of porcelain. The excess slip is poured out and a hollow form remains to be taken out of the mold once it’s dry. After drying, each part must be cleaned. Eyes and nostrils are cut out, the skin is smoothed, and features are refined. The porcelain parts are fired in a kiln up to 1180 degrees Celsius (over 2000 degrees Fahrenheit). One day and night later, the porcelain has reached its final strength, size, and a fair skin color. Depending on the desired skin color, porcelain paint is applied in several layers and fired every time at 780 C (1436 F). Eyebrows, lashes, lips, and blush are painted. Finally nails and, if necessary, dirt are applied.
The next stage is assembling the doll from the individual parts. The porcelain parts are attached directly or through fabric body parts. Fabric parts are stuffed with fiberfill and strengthened with a wire frame, allowing the van Boxels to pose the body. Most children are completely or partly dressed in traditional clothing. If possible, all the clothing is made from authentic worn clothing. After studying the pattern and use of colours, the clothing will be made in the right size for the doll.
Crystal eyes are inserted and fixed in the right position inside the head using plaster. Real human hair or mohair is used to make a wig or affixed directly to the head. Finally, the real hair upper eyelashes are glued on and final touches are applied. Clothing and shoes have to look worn, little accessories like toys, purses, cutlery, etc. are placed in the doll's hands. Every doll has its own high-quality doll stand, also produced on the farm.
A doll is approved when it tells a story to the viewer, when the facial expression, pose, and clothing are all right and the child becomes "real." Bets and Amy van Boxel are looking in particular for the beauty within a person. "Every creation reflects the love that is put in while making it," Amy van Boxel said. "The biggest complement consists of a collector who appreciates the work of art and wants to give it a beautiful place in their home. Bets and I want to thank all the people who’ve made it possible to create our works of art for the past 25 years. We hope to continue this work for many more years."
For more information, visit www.poppenstee.nl. |
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